Updated: 08/31/2020 by Computer Hope
In Adobe Premiere Pro, you can create a video slideshow of your photographs, applying smooth transitions from one photo to the next. You can then output the slideshow to a video file, which you can share online with friends and family.
Click in the Timeline area, and you can use your mouse’s scroll wheel to move through the tracks. Moving around in Premiere Pro We’re almost done with these navigational tasks, but there’s one more concept to cover: the difference between the viewing window and the location of the playhead.
In Premiere, there are usually several ways to do the same thing. For example, you can create a new project by going to File > New > Project in the menu bar. You can also use the keyboard shortcut Ctrl+Alt+N on a Windows computer, or ⌘+Opt+N on a Mac.
Go to the File menu (or Premiere Pro CC menu on Mac) and choose Keyboard Shortcuts Keyboard Layout Preset Adobe Premiere Pro Default if it isn’t already selected. To expand and minimize your timeline tracks. Just move the Playhead to where you want to ripple trim, hit Q or W, and the region between the Playhead and the previous. A video tutorial on the Move Playhead to Cursor shortcut in Adobe Premiere Pro CC. It is a huge time saving technique compounded over hours of editing your v. Program name: Adobe Premiere Pro (Mac) Adobe Premiere Pro is a video editing program developed by Adobe. It's mainly used for professional video editing, while its sibling, Adobe Premiere Elements targets consumer market. It is published as part of the Adobe Creative Cloud licensing program. Premiere Pro Playback stops when I move playhead with mouse; Highlighted. Playback stops when I move playhead with mouse.
Your new project opens to a blank Workspace, divided into sections that contain Panels. Each panel contains a different set of buttons, options, and information to help you edit your video. The panels are organized in tabs. At the top of any workspace section, click a tab to display that panel.
The Workspaces bar is located at the top of your window, under the menu bar. Each workspace offers you a different configuration of panels, each designed to help you work with your project differently.
Click a workspace name to switch to that workspace. In this project, we start in the Editing workspace, which focuses on assembling your media objects, called clips, in the sequence timeline.
In the lower-left of the Editing workspace, you see the Project panel.
The Project panel is where you manage the source media for your project: still images, movie clips, audio files, etc. It also contains your sequences. You can think of a sequence like a scene in a movie. In Premiere, a sequence contains all the edits for a specific sequence of audio and video.
Every Premiere project has at least one sequence. In this example, we edit everything in one sequence.
The New Sequence window opens. Here, you can configure the video and audio format of your sequence, such as video resolution, frame rate, color depth, audio quality, etc. Most often, it’s best to choose one of the Sequence Presets that provide standard configurations for a variety of formats.
Your new sequence is displayed in the Project panel.
Before you import your photos, edit some key preferences that affect how they’re imported and displayed.
When you choose Set to frame size, imported images are scaled to fit the frame in Premiere, rather than being resampled to match the sequence resolution. With this setting, your photos retain all their original pixel data, which improves video quality if you decide to zoom in on an image.
When you import a still image in Adobe Premiere, it’s like creating a link to the file on your computer. The image is imported as a clip (as if it were a video clip). Its duration is the value you set in step 11.
Repeat steps 15-17 as necessary until you have imported all the photos you want to use in the slideshow.
Notice that the photo now appears in the Program Monitor panel in the upper-right. This panel shows how the video looks at the current time.
The current time is indicated visually by the playhead, which looks like a blue arrowhead in your timeline. A blue line descends from the playhead, marking the current time in all your media layers.
TipThe current time is displayed numerically as a blue time code in the upper-left corner of the Timeline panel (such as 00;00;00;00, representing hours; minutes; seconds; frames).
At the bottom of the Timeline panel is the Zoom Bar, a horizontal bar with a circular handle on each end. The size of the bar represents the percentage of your timeline you are currently viewing. If you drag a handle to make the bar longer, you zoom out, showing more of the timeline. If you drag a handle to make the bar shorter, you zoom in, showing greater detail for the section of the timeline at the playhead.
Notice the clip gets longer as you zoom in on the timeline.
If you move your mouse over the clip, the mouse pointer icon changes. When you hover over the left edge or right edge of the clip, the pointer looks like a bracket, and you can click-and-drag to extend or shrink the clip duration. Hovering over the middle of the clip makes the pointer an arrow and allows you to click-and-drag the clip to a different timeline position.
When the Snap feature is enabled, the magnet icon turns blue. Now, when you work in the timeline, your edits “snap” to existing edit points, without small gaps or overlaps.
In the timeline, you can press the Up or Down arrows on the keyboard to jump to the previous or next edit point. You can use these keys to quickly flip through the photos in your slideshow.
Now is a good time to make a final decision about which photos to keep in your slideshow, and in what order. Right now, all your clips are the same duration, which makes it easier to move them around like puzzle pieces. (When you move one, you know another fits exactly in its place on the timeline.)
Repeat this process, rearranging and removing clips as necessary until the photos are assembled as you want them.
Apply a transition to your clips, so they smoothly dissolve from one to the next.
Premiere encodes your video and writes it to disk. The default location of the video file on your computer is Documents > Adobe > Premiere Pro > version. The default video file format is H.264-encoded MP4.
TipIf preferred, you can upload your video to YouTube. If you do, you can send the YouTube link to friends and family by e-mail, text message, or on social media. For more information, see: How to upload a video to YouTube.
In Adobe Premiere Pro, you can create a video slideshow of your photographs, applying smooth transitions from one photo to the next. You can then output the slideshow to a video file, which you can share online with friends and family.
In Premiere, there are usually several ways to do the same thing. For example, you can create a new project by going to File > New > Project in the menu bar. You can also use the keyboard shortcut Ctrl+Alt+N on a Windows computer, or ⌘+Opt+N on a Mac.
Your new project opens to a blank Workspace, divided into sections that contain Panels. Each panel contains a different set of buttons, options, and information to help you edit your video. The panels are organized in tabs. At the top of any workspace section, click a tab to display that panel.
The Workspaces bar is located at the top of your window, under the menu bar. Each workspace offers you a different configuration of panels, each designed to help you work with your project differently.
Click a workspace name to switch to that workspace. In this project, we start in the Editing workspace, which focuses on assembling your media objects, called clips, in the sequence timeline.
In the lower-left of the Editing workspace, you see the Project panel.
The Project panel is where you manage the source media for your project: still images, movie clips, audio files, etc. It also contains your sequences. You can think of a sequence like a scene in a movie. In Premiere, a sequence contains all the edits for a specific sequence of audio and video.
Every Premiere project has at least one sequence. In this example, we edit everything in one sequence.
The New Sequence window opens. Here, you can configure the video and audio format of your sequence, such as video resolution, frame rate, color depth, audio quality, etc. Most often, it's best to choose one of the Sequence Presets that provide standard configurations for a variety of formats.
Your new sequence is displayed in the Project panel.
Before you import your photos, edit some key preferences that affect how they're imported and displayed.
When you choose Set to frame size, imported images are scaled to fit the frame in Premiere, rather than being resampled to match the sequence resolution. With this setting, your photos retain all their original pixel data, which improves video quality if you decide to zoom in on an image.
When you import a still image in Adobe Premiere, it's like creating a link to the file on your computer. The image is imported as a clip (as if it were a video clip). Its duration is the value you set in step 11.
Repeat steps 15-17 as necessary until you have imported all the photos you want to use in the slideshow.
Notice that the photo now appears in the Program Monitor panel in the upper-right. This panel shows how the video looks at the current time.
The current time is indicated visually by the playhead, which looks like a blue arrowhead in your timeline. A blue line descends from the playhead, marking the current time in all your media layers.
TipThe current time is displayed numerically as a blue time code in the upper-left corner of the Timeline panel (such as 00;00;00;00, representing hours; minutes; seconds; frames).
At the bottom of the Timeline panel is the Zoom Bar, a horizontal bar with a circular handle on each end. The size of the bar represents the percentage of your timeline you are currently viewing. If you drag a handle to make the bar longer, you zoom out, showing more of the timeline. If you drag a handle to make the bar shorter, you zoom in, showing greater detail for the section of the timeline at the playhead.
Notice the clip gets longer as you zoom in on the timeline.
If you move your mouse over the clip, the mouse pointer icon changes. When you hover over the left edge or right edge of the clip, the pointer looks like a bracket, and you can click-and-drag to extend or shrink the clip duration. Hovering over the middle of the clip makes the pointer an arrow and allows you to click-and-drag the clip to a different timeline position.
When the Snap feature is enabled, the magnet icon turns blue. Now, when you work in the timeline, your edits 'snap' to existing edit points, without small gaps or overlaps.
In the timeline, you can press the Up or Down arrows on the keyboard to jump to the previous or next edit point. You can use these keys to quickly flip through the photos in your slideshow.
Now is a good time to make a final decision about which photos to keep in your slideshow, and in what order. Right now, all your clips are the same duration, which makes it easier to move them around like puzzle pieces. (When you move one, you know another fits exactly in its place on the timeline.)
Repeat this process, rearranging and removing clips as necessary until the photos are assembled as you want them.
Apply a transition to your clips, so they smoothly dissolve from one to the next.
Premiere encodes your video and writes it to disk. The default location of the video file on your computer is Documents > Adobe > Premiere Pro > version. The default video file format is H.264-encoded MP4.
TipIf preferred, you can upload your video to YouTube. If you do, you can send the YouTube link to friends and family by e-mail, text message, or on social media. For more information, see: How to upload a video to YouTube.